Excerpt:

Superheroes have never been more culturally dominant than they are in the age of the billion dollar Marvel or DC blockbuster and have never been less relevant.

The emotional momentum of the idealism of Superman creators Siegel and Shuster, Batman creator Bob Kane being viciously beaten up as a boy and fantasizing about vigilante justice have died out leaving behind a lifeless cast of familiar characters owned by movie studios going through the same routines, dying and being reinvented just long to become the same thing all over again.

If someone actually set out to reinvent the superhero, to make him relevant to the world we live in today and to give him the emotional investment of classic comics, he would have to be shut out of the marketplace in self-defense. And that's exactly what happened to Bosch Fawstin over The Infidel.


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