Arabs have now joined the protest business, imitating the American Indian mascot issue and the language of victimhood. The Arab-American Discrimination Committee has protested California’s Coachella Valley High School mascot of the traditional Arab image. That would include images of the belly dancer, the magic carpet, the saber wielding cutthroat warrior, etc. This image, of course, was chosen by the school (80 years ago) rather than the modern image of the lying, murderous mayhem Muslim, the cruel, self-idolizing Islamic Arab so detrimental to all free nations, so intend on humiliating, denigrating, even enslaving all other people and all other religion.
But “ethnic stereotyping” was the accusation levied by the ADC in their November 1, 2013 letter to Dr. Darryl S. Adams, Superintendent of the Coachella Valley Unified School District. They even protest the beautiful kaffiya, the headdress worn by virtually every Arab in Saudi today.
They don’t want the Arab to be a mascot, like liberal Indians don’t want Indians being used as mascots. This is the white liberal racial agitation training, and Arabs have picked up on it entirely, always looking to abuse American political jargon to advance their own Islamic colonization in free societies, with the intent to deny all basic freedom.
The Coachella Valley High School was established in 1910, about 135 miles southeast of Los Angeles, and the Arab mascot was espoused in 1920′s (or in the 1930′s) in honor of a once large Arab colony involved in the date palm growing industry there. The name was considered a gift to the Arab peoples for their contribution to the economy of the Coachella Valley and certainly not meant as a slight or insult. As of today, of course, the school is 98% Mexican-American. Certainly wasn’t so in the 1920′s or 30′s.
The racist media instinctively leaped to support the effort to change the mascot. Following every pattern created by the professional American Indian protesters (like the American Indian Movement and their leftovers), and their Communist Manifesto playbook procedures, the arrogant Arabs are throwing their kaffiya into the ring of racially abused minorities, and media is the primary tool accompanying the side-walk protests and published letters to authorities.
Huffington puffed about the Arab mascot protest on December 12. Fox news hit it earlier, on November 7, the same time USAToday dramatized it. And a local paper in Florida even got in the act. The Orlando Sentinel ran the story November 7. (The Sentinel, however, was pleased to include photos of several Indian mascots to validate the Arab protest.)
Huffington puffs:
It’s a twist on a decades-old issue that has centered primarily on Native American mascots, logos and nicknames and has transformed Indians to Cardinal at Stanford University and Chieftains to Redhawks at Seattle University.
But the Arab debate spurs the same set of questions: Is it possible to craft a mascot in the image of an ethnic group that doesn’t offend, or are schools better off scrapping the idea altogether?
The debate comes as the more familiar Indian controversy has gained increased heat.
Arabs love to intimidate, to invade, to take over, to denigrate, humiliate, and to demonstrate superiority, at any level. This is why mosques are built on formerly Jewish or Christian sites. Great sportsmen, these murderous Arab Muslims. There is nothing “Indian” about this.
The Arab, never having a reputation for peace, for mutual respect, nevertheless has a unique aesthetic, and no doubt a unique appeal to the world. The “stereotype” that the Coachella Valley High School employs is actually the more positive image, one that accentuates the free-flowing spirit, the sensual beauty, and the appeal of natural enthusiasm and aggression. This is to say nothing of the Arab accomplishments in calligraphy, art, science, exploration, and even philosophy. But, this is all forgotten in modern times. They stand only for fraud, deception, cruelty, and tyranny. “Arab-Americans” would do well to reconsider their protest. The California high school is offering a romantic, pleasurable image of the Arab, much like the 1992 Disney Aladdin movie.